Dido & Aeneas a Triumph
Ealing Choral Society was delighted to perform the first concert of its 2023-24 season to a sold-out house at St Barnabas last weekend. The Henry Purcell-centred programme was bookended by Welcome to All the Pleasures, his ode for St Cecilia’s day, and his tragic masterpiece of early opera, Dido and Aeneas. The choir and orchestra also performed works by composers who inspired Purcell (Adrian Batten and Thomas Tomkins), or were inspired by him (Johann Pachelbel and Hubert Parry). The programme showcased the choir’s operatic abilities, but also the homogeneity of sound and the contrasting moods conveyed in the four unaccompanied items.
Supporting the choir were soloists: soprano Rachel Allen (standing in with only a day’s notice), mezzo-soprano Bethany Horak-Hallett, contralto Mae Heydorn, tenor Peter Davoren and baritone Jerome Knox. The sublime voices of the soloists fizzed in the celebratory ode to St Cecilia and brought depth and drama to Dido. Allen brought emotion and movement to Belinda, while Heydorn and Davoren delighted in their many small appearances. While one couldn’t help falling in love with Jerome Knox’s honey-voiced Trojan hero Aeneas, the opera really belonged to Bethany Horak-Hallett’s tragic Queen Dido, whose luxurious rendition of the heartbreaking aria “Dido’s Lament” sent a chill through the rapt, sellout audience.
Conductor Peter Asprey steered period specialists Meridian Sinfonia through a score stuffed with Purcellian gems; and with plenty for the chorus to sink their teeth into as well, the evening was undoubtedly a success.
Ealing Choral Society will return to St Barnabas for three more concerts in the 2023-24 season. Please visit our Concerts page for more information.